私人藏家 · 華沙 · 2024年創立
尋求
Igor Mitoraj
的作品
藏家正在尋找Mitoraj的作品，
不限狀況、不限尺寸——
直接從您手中購買，簡單便捷。
尋求
藏家正在尋找Mitoraj的作品，
不限狀況、不限尺寸——
直接從您手中購買，簡單便捷。
來自賣家
多年來我有一件米托拉伊的銅雕，卻不知如何私下出售。回應十分迅速，報價也合理公正。整個過程處理得極為低調謹慎。
出售了一件繼承而來的Centurione。藏家確切知道它是什麼，並在24小時內提出了認真的報價。簡單而專業。
無拍賣費用，無需等待。我發送了照片，當天就收到了報價。付款迅速且安全。強烈推薦給所有米托拉伊作品的收藏者。
拍賣行向賣家收取10–18%的佣金——加上4–12周的委託處理時間，之後還需等一個月才能收款。整個過程歷時數月，且要從最終成交價中扣除佣金。直接出售意味着當天獲得報價，幾天內收款，無需支付任何佣金。
我的報價基於當前拍賣市場行情。我並非尋找便宜貨——我是在為嚴肅的收藏添置作品，定價亦與此相符。每一次詢價均以完全保密的方式處理：您的身份及任何您分享的作品信息，絕不會在任何情況下向任何第三方披露。
我考慮所有作品：青銅、大理石、版畫、素描及獨特物件。一切狀況均可，從最小的Artcurial限量版到大型公共委託作品。如果您不確定所擁有的是否為真品，我可以免費為您提供誠實的評估，且無任何出售義務。
我是一位位於華沙的藏家，熱愛Mitoraj的作品，希望為個人藏品添置新作。我直接從個人手中購買——無論是繼承所得、多年前購入，還是隻是覺得是時候轉讓。
沒有作品太微不足道——我對小幅版畫的興趣，不亞於對大型青銅的興趣。歡迎隨時與我聯繫，完全沒有任何壓力。
所有版次和尺寸。Asclépios、Perseus、Tindaro、Eros——均可考慮。
原版雕刻作品。尤其歡迎Pietrasanta作品。
素描、速寫、版畫、印刷及簽名限量版。
燈具、陶瓷及其他孤品。
我所尋求及已獲得的作品——青銅、獎章、水晶、頭像和軀幹，均具有Mitoraj標誌性風格。
顯示 51 件中的 51 件
Gold-tone cast bronze medal with a standing figure amid stars and crescent moons — signed Mitoraj on the reverse. ~12 cm diameter
A rare pâte de verre crystal sculpture commissioned by the legendary French glassmaker Daum (founded 1877). Depicting a fragmented head in Mitoraj's signature style, this numbered piece bridges his classical themes with the luxury craft tradition of Nancy. 7.5 × 8 × 4.5 cm
Two dark-patinated bronze head fragments — Centurione I (1987, ed. 250) and Centurione II (1987, ed. 1500) — from Mitoraj's celebrated Centurione series. Each piece depicts a partial face evoking the damaged grandeur of ancient Roman statuary, signed and from limited editions of 1500. I: ed. 250 · II: ed. 1500 · each approx. 19 cm height
A single dark bronze head from the Centurione II series (1987), green-patinated and signed Mitoraj at the neck, numbered from an edition of 1500. The horizontal band across the face — a recurring Mitoraj motif — alludes to blindness, mystery, and the passage of time. 18.5 × 14 × 6 cm
Two iconic bronze torsos from 1988 — Persée (Perseus) and Asclépios — each on a travertine base, signed and from numbered editions of 1000. The square apertures piercing chest and collarbone are Mitoraj's hallmark: windows into the mythological soul, merging classical beauty with postmodern fragmentation. 38 cm (without base) · 48 cm total
One of Mitoraj's most intimate early works (1978). A polished golden-patina bronze head entirely enveloped in bandages — the ultimate expression of concealment and interiority. Signed and numbered from an edition of 250, published by Artcurial, Paris. On its original black marble base. 12 cm (without base) · 20 cm total
A small circular gold-patinated bronze relief (c. 1980s), signed Mitoraj, set on a wooden base. Two faces emerge in subtle profile — noses and lips barely surfacing through the swathed surface — in a quiet dialogue across the disc. A rare and intimate multiple from a limited edition. ~9 cm diameter
A silver-patinated bronze head entirely enveloped in tightly wound horizontal bands — one of Mitoraj's most powerful recurring motifs. Only the lips break through the wrapping, evoking silence, mystery, and concealed identity. Signed and from a limited edition of 250, published by Artcurial, Paris. On its original black cubic base. 11.5 × 11 × 7 cm (without base) · approx. 20 cm total
Three Persée bronzes side by side: left in warm brown patina, centre and right in green patina — all from the 1988 edition of 1000 + HC. Each shows the characteristic rectangular chest aperture at the upper left pectoral and sits on a travertine base. 38 cm without base · 48 cm total.
The warm brown-patina Persée from 1988 — upper-left chest aperture confirms the identification. Signed MITORAJ on travertine base, numbered from edition of 1000 + HC. 38 cm without base · 48 cm total.
A small, intensely observed bronze portrait head from 1984 — medal patina, signed at the base, from an edition of 1000. 14.5 × 7 × 5 cm. One of Mitoraj's rare non-mythological subjects. The rectangular aperture in the chest is characteristic of both Persée and Asclépios.
Second Persée bronze, 1988 — showing the sculpture from a different angle, emphasising the depth of the chest void and the quality of the green oxidised patina. Signed MITORAJ. 38 cm without base · 48 cm total.
The warm brown-patina variant of Asclépios 1988 — same edition (1000 + HC) as the standard green. The central chest aperture — symbol of the god of medicine — is clearly visible. Signed MITORAJ, numbered on reverse. 38 × 28 × 14 cm without base · 48 cm total.
A female torso in dark copper-brown bronze — two delicate hands emerge from the fragmentary body, one cupping the chest, one at the waist, in an intimate gesture of self-embrace. Artcurial edition, 1979. Signed and numbered from an edition of 250, on an original round travertine base. 20 × 14 × 7 cm (sculpture) · 28.5 × 14 × 10 cm overall
A striking sanguine (red chalk) lithograph depicting Tindareos — the mythological King of Sparta and father of Helen of Troy, rendered as a bandaged and fragmented head in fluid, gestural sanguine strokes on white paper. Signed Mitoraj lower right in pencil. A rare original signed print — Mitoraj's graphic works on paper are considerably scarcer than his bronzes.
A fragment of a lower face — lips, chin, neck merging into an upper torso — in warm reddish-brown patina. Signed MITORAJ at the lower left edge of the base. A collector bronze meant to be encountered at close range: complete despite its incompleteness.
A gilded bronze head entirely enveloped in draped fabric, mounted on a dark veined marble base. The gold patina and abstract rounded form of fabric folds make this one of Mitoraj's most enigmatic works — concealment as its own revelation.
A small silver-plated bronze bust — wrapped head and bound torso on a black marble base. The high-mirror chrome patina is exceptional among Mitoraj editions; the binding motif here reads as both punishment and protection, faithful to the myth of Prometheus chained. Signed MITORAJ.
A bronze breastplate (corazza) from 1987 — one of only five cast. The Corazza belongs to Mitoraj's late-1980s series of armoured and bound forms, in which the body is simultaneously protected and constrained by the same gesture. Signed MITORAJ. Edition of 25. approx. 25 × 29 × 10.5 cm
The wrapped bronze torso upright — the X-crossing of the binding straps across the chest clearly visible. Warm golden-brown patina. Signed MITORAJ. approx. 28–30 cm height
High-contrast monochrome of the wrapped torso — the diagonal X-crossing of the binding straps reads as pure geometry against the dark patina. The sculptural tension between concealment and form is most visible here.
The torso from the side — the horizontal binding at the waist and the warm, polished bronze of the chest in full light. The deliberate fragmenting of neck and arms is particularly evident from this angle.
A second view of the torso lying on its side — the depth of the bronze casting and the layered wrapping at the lower body. The ragged, open neck and shoulder edges are characteristic of Mitoraj's broken-body aesthetic.
A large frosted crystal sculpture — lips, nose and cheekbone emerging from the translucent surface in characteristic Mitoraj profile. The matte glass gives the face an ethereal, luminous quality. On a dark display base.
The most remarkable detail: a classical intaglio relief — a figure with flowing hair, looking upward — carved into the hollow interior of the crystal head. An interior world within the fragment.
The full form of Saturnia shown upright — the scale of the head fragment is clear. The ragged upper edge and the deep hollowing are the piece's defining features.
Light passing through the frosted crystal from behind — the translucent quality of the glass and the organic contours of the face lit from within. The sculpture transforms completely under backlighting.
A small golden-patinated bronze torso tightly bound by horizontal wrapping straps, on a polished black marble base. The characteristic Mitoraj gesture: the body simultaneously armoured and constrained.
Close view of the diagonal strap crossing the chest and the intricate surface modelling of the bound torso.
Full view on its black marble pedestal, showing the proportions of the sculpture and the clean geometric base that grounds the fragmentary figure.
Persée (1988) and Asclépios (1988) side by side — both in warm brown patina, each on its travertine base. The two canonical Mitoraj torsos of the late 1980s, united in a single view.
A small collector bronze of Ikaria — Mitoraj's winged figure, symbol of desire and flight that mirrors the myth of Icarus. Signed Mitoraj.
A bronze medal from the Conversation series — two faces in quiet dialogue across the disc. Signed Mitoraj.
Centurione II (1987) with its original presentation box. Ed. 1500 · signed MITORAJ.
Persée (1988) — signed MITORAJ on travertine base. Ed. 1000 + HC · 38 cm without base.
Persée (1988) — signed MITORAJ on travertine base. Ed. 1000 + HC.
Dark-patinated Asclépios on travertine base, signed MITORAJ.
Centurione II (1987) in its original foam-lined presentation box. Dark patina and MITORAJ signature clearly visible. Ed. 1500.
Large dark green-patinated Centurione I bronze head on a white marble cube base. The fragmented face tilted upward, characteristic of Mitoraj's centurion series. Ed. 250 · signed MITORAJ.
Dark copper-brown Kea bronze, 1979 — the two hands emerging from the fragmentary torso clearly visible, on the original round travertine base. Artcurial edition. Ed. 250 · signed Mitoraj.
Centurione II green-patinated bronze head, 1987 — the horizontal band across the face, Mitoraj's signature motif. Signed MITORAJ. Ed. 1500.
Centurione II green-patinated bronze head, second angle. Signed MITORAJ. Ed. 1500.
Silver keychain pendant — Testa Addormentata (Sleeping Head) created by Mitoraj for Amnesty International. Signed Mitoraj on the reverse with amnesty international inscription. A rare collectible piece.
Silver keychain pendant — Testa Addormentata (Sleeping Head) created by Mitoraj for Amnesty International. Signed Mitoraj on the reverse with amnesty international inscription. A rare collectible piece.
Bronze torso wrapped in crossed straps — Mitoraj's armour motif. Warm gold-brown patina, black marble base. Signed MITORAJ.
Side-front angle showing the diagonal strap crossing the chest. Warm gold patina. Signed MITORAJ on the base.
Right-side profile emphasising the sculptural silhouette and the rich copper-gold surface. Black marble base.
Front view showing the deeper dark-bronze tonality, with the crossed shoulder strap and collar detail defined.
Small collector bronze of Ikaria — Mitoraj's winged figure, symbol of desire and flight. Warm brown-gold patina. Signed MITORAJ.
Ikaria small edition from a different angle — the figure's outstretched form and dark patina base clearly visible.
Reverse of the Ikaria small bronze — showing the back of the figure and the dark square base with MITORAJ signature.
© mitoraj-search.com — photos free to use under CC BY 4.0: credit and link to this page required.
Research by Series
拍賣行提供價格透明度，但向賣家收取成交價10–18%的佣金，需要4–12周處理委託，再需4–8周付款。例如，一件拍出4,000歐元的米托拉伊作品，扣除30%佣金後賣家實際到手僅約2,800歐元——還需等待四至六個月。直接向我出售意味着當天報價、數日內付款，且無需支付任何佣金。
我根據當前拍賣市場水平付款。我不追求便宜——我尋求的是為嚴肅藏品添磚加瓦的作品，價格相應合理。所有諮詢均嚴格保密：您的姓名、地址及您所分享的作品信息，絕不會向任何第三方透露。
多種因素決定米托拉伊作品的市場價值。版次數量最為關鍵：Artcurial的8版（Prométhée）與1500版（Centurione II）相比，稀缺程度不可同日而語。尺寸影響極大——同一主題，40釐米銅雕的價值是20釐米的三至四倍。包漿狀態至關重要；過度清潔或修復的銅雕會大幅貶值。來源證明——Atelier Mitoraj的證書或拍賣記錄——有助於增加信心，但對有據可查的版本而言很少具有決定性作用。原底座（特拉華石、大理石或木材，視作品而定）可提升大多數桌面銅雕的價值。
我接受各種狀態的作品，無論有無證書、有無原底座。如果您不確定所擁有的作品是否為真品，我可以為您提供誠實的鑑定——無出售義務。
自2025年華沙拍賣會創下歷史紀錄以來，米托拉伊市場已大幅回升——Tindaro拍出689萬茲羅提（約合160萬歐元），創下波蘭拍賣米托拉伊作品的最高成交價。這一結果證實了波蘭及國際藏家對其作品的濃厚興趣。早期Artcurial版本（Tête Secrète、Kea、Prométhée）是二級市場中最受追捧的作品之一。
不確定是否要出售？完全沒問題——只需發送信息，如有照片請附上。我會親自回覆每條消息，絕無任何義務。
生於德國，母親為波蘭人，父親為法國人，Mitoraj曾在克拉科夫藝術學院師從Tadeusz Kantor，後在意大利Pietrasanta建立工作室——與供應米開朗基羅大理石的同一採石場比鄰。
他那些殘缺的人物形象——包紮、截斷、寧靜——汲取自古典時代，卻又完全訴説着現代境況。他的作品屹立於倫敦、巴黎、龐培，遍佈全球各地藏品。
您的身份及任何作品均完全保密。不向任何第三方透露任何詳情。
我提供直接、誠實的報價。無繁瑣的估價、無壓力——只是一次公平簡單的交流。
一旦達成協議，款項將在48小時內到賬。無拍賣週期，無畫廊佣金。
Igor Mitoraj於1944年出生於德國Oederan，母親為波蘭人，父親為法國人，在波蘭克拉科夫附近長大。他在克拉科夫藝術學院師從Tadeusz Kantor學習繪畫，後於1968年赴巴黎進入法國國立高等美術學院深造。1976年，他在巴黎La Hune畫廊舉辦個人展覽，正式開啓雕塑家生涯——同年他首次造訪Pietrasanta，這座托斯卡納小城的大理石採石場和青銅鑄造廠，此後四十年間成為他創作世界的中心。
他的標誌性語彙——截斷的軀幹、包紮的頭像、殘缺的四肢、穿透身體的方形開口——汲取自古希臘羅馬雕塑，卻又完全訴説着現代境況。他説："一段手臂或一條腿，往往比完整的身體更有力量地訴説。"他的公共委託作品屹立於龐培、倫敦、巴黎、羅馬、米蘭、華沙、克拉科夫、班貝格、聖路易斯，以及亞洲各地。他的作品被大英博物館、赫什霍恩博物館、洛杉磯縣立美術館，以及波蘭和意大利國家博物館收藏。
Mitoraj於2014年10月6日在巴黎辭世，葬於Pietrasanta。自他去世以來，其作品市場大幅升值——受到波蘭機構藏家、意大利畫廊遺產，以及2025年華沙拍賣會上其巨型作品Tindaro以160萬歐元創紀錄成交的推動。如果您擁有Igor Mitoraj的作品並正考慮出售，請直接聯繫本網站背後的藏家。
真品Mitoraj青銅雕塑在頸部底部或軀幹下部有刻印（非鑄造）簽名——大寫的MITORAJ，或早期作品的小寫igor mitoraj。背面有n/總數格式的版次編號。常見Pietrasanta鑄造廠印記。請將簽名、版次編號和整體作品的照片發給我，我將免費提供誠實的評估。
價值取決於作品、版次大小、尺寸、狀況和當前市場行情。早期Artcurial版次（Tête Secrète、Kea、Prométhée）是最受追捧的。請發給我一張照片，我會給您誠實的評估。
不需要。Pietrasanta Atelier Mitoraj的證書很有價值，但並非必須——簽名、版次編號和鑄造廠印記是主要鑑定標記。許多真品流通時沒有證書，尤其是1980和1990年代通過畫廊出售的作品。我收購有無證書的作品，如需獲取證書，也可為您提供建議。
我親自回覆每條消息，通常在幾小時內，最遲24小時內回覆。沒有自動回覆系統——您會直接收到我的回覆。如果您發送了照片，我將在回覆中對您的作品進行具體評估。
中國嘉德、保利拍賣和香港邦瀚斯是亞洲最活躍的拍賣行，買家傭金為15–25%。通過mitoraj-search.com直接出售給私人藏家可免除所有佣金，24小時內回覆並提供免費估價。國際運輸費用由我方承擔。
版次規模是關鍵因素：Artcurial限量版（Prométhée、Kea、Tête Secrète，每版僅8件）比1000+版次的作品貴得多。尺寸也很重要——桌面尺寸約1,500–3,000歐元，大型紀念碑式青銅雕塑可達20,000–100,000歐元以上。請發送照片和尺寸，我會提供具體估價。
Collector Guides
波蘭首都的公共雕塑
Wikimedia Commons, CC BY-SA 3.0 PL
Bronze · Zoliborz, ul. Wybrzeze Gdynskie 4
一座宏偉的青銅伊卡洛斯矗立在奧林匹克中心前——無臂，缺少一翼。米托拉伊對人類脆弱性和傲慢神話的冥想。
米托拉伊紀念性青銅時期最受追捧的作品之一。
Wikimedia Commons, CC BY-SA
22 bronzes · Skwer Hoovera
22座雕塑的户外展覽，包括羅馬聖瑪利亞天使聖殿青銅門的鑄件，在天使之門揭幕前數週安裝。
這次臨時展覽的文獻記錄十分罕見，對藏家而言極具價值。
✦
無可用公共領域圖片
Bronze · ul. Swietojanska 10，舊城
四米高的青銅門描繪着天使報喜，為恩典聖母聖殿400週年而創作。兩個無翼天使守護在瑪利亞像兩側。
一件獨特的神聖委託，永久安置於華沙歷史舊城區。
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無可用公共領域圖片
Bronze, 5米 · ul. Bobrowiecka 6, Mokotow
一座五米高的男性軀幹，用米托拉伊第一筆收入鑄造——他對托斯卡納的致敬。胸部被空洞穿透；內部，一張女性臉龐向外凝視。第三件也是最後一件鑄件；其他兩件分別在巴黎和米蘭。
2009年由米托拉伊親自揭幕。其私人位置使這一時期特別受追捧。
如果您持有米托拉伊的作品——聯繫我們。
Private collector · Warsaw, Poland · Seeking works by Igor Mitoraj worldwide
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